The author Seth Grahame-Smith took after his blockbuster up with “The Dark Knight Rises” which made the jump to the extra large screen quickly. In any case, the motion picture was godawful, never choosing on the off chance that it was an awkward activity flick or a calm authentic dramatization … with teeth. More awful, it was moronically ignorant that a giggle or three may be helpful in offering its strangeness. Most exceedingly bad of all it abused bondage like a prop to up its bleeding powerful ghastliness.
There was each motivation to be suspicious of Pride and Prejudice and Zombies, then, yet those Bennet sisters have regularly been thought little of.
It helps hugely that Jane Austen’s sentimental and comic books are shockingly durable mammoths, routinely inciting awesome adjustments, witty redesigns, ethnic riffs, From Prada to Nada) and serving as a skeleton for different works of art, as well. The source material comes prepared with comic beats and pointlessness in the event that you just saddle it.